My friend, Matthew Milliner, wrote some time earlier this year a succinct summary of everything I believe about contemporary art, namely that contemporary art is corrupt, is based on poorly formed principles (if any) sans the transcendant, and needs very much the simple, faithful return to classical foundations in a truly creative way that is based in, above all things, the sacred Liturgy, whether directly in the liturgical arts or flowing from the altar itself by grace. His very direct and lovely way of communicating this comes down to two bird analogies: the swallows of Capistrano (as taken from Jody Bottum’s article in First Things) and the sparrows whose littleness trumps the eagles of the art world (as taught by John Walford of Wheaton College).

Do read the article. It’s not a sound bite, hyper-summarized, bite size chunk of cultural niceties and theoretic sentamentalism, so don’t expect something that the average Facebook user would read and dig. It’s probably not something your average artsy fartsy person would dig either. Average, I said. It’s edgy, and a little (wee) bit long, but it’s worth the perseverance. So read it. It might offend you, and that’s okay I say. Truth offends. If we had more people willing to offend the Church we’d be in a much different place in respect to many things today.

Favorite quotes:
“A nearly universal response to contemporary art today–one that impressively transverses race, creed age, or class–is ‘What?’”

“The decades to follow gave us conceptual art, landscape art, performance art, outsider’s art, found art, and (most revealingly perhaps) auto-destructive art.”

“The cult of celebrity–with its exorbitant votive prices–drives the art world today, leaving envy and resentment in its wake: a convocation of belligerent eagles.”

“We are waiting not for a Godot, but for another–doubtless very different–St. Benedict.” And lo, our Benedict has come.” [Props to Matt for the B16 reference--check his flickr account for his pics from the April Pope visit]